Sue Menhenick & Co.: What Happened To The "Top Of The Pops" Star?

Where have the dazzling stars of "Top of the Pops" vanished to, and what became of the iconic Sue Menhenick?

This question has lingered in the minds of music and dance enthusiasts for decades, particularly regarding the enigmatic Sue Menhenick, a name synonymous with the golden era of British television and the vibrant dance scene of the 1970s and early 1980s.

The world of entertainment, especially the vibrant pop music scene of the late 20th century, often casts its performers into a spotlight that can be as fleeting as it is intense. For those who graced the screens of shows like the BBC's "Top of the Pops," the memories and the magic remain, even as the decades pass. Sue Menhenick, a name that resonates with a generation, was more than just a dancer; she was a symbol of a specific era, an embodiment of talent, grace, and the pure joy of performance. Her journey through the ever-changing landscape of television dance is a story worth revisiting, not just for nostalgia's sake, but for its enduring influence.

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Sue Menhenick, also known as Susan Sue Menhenick, was a pivotal figure, a dancer, and choreographer, whose name became synonymous with the era of iconic dance troupes that lit up the British music scene. Before the advent of music videos as we know them today, the visual accompaniment to popular songs came largely from the performances of dance troupes on shows like "Top of the Pops." The allure of these dancers was undeniable. Their captivating routines, carefully choreographed to complement the music, became integral to the experience of watching the show. In an age before YouTube and instant replays, the dancers offered viewers a visual treat, making them just as eagerly anticipated as the musicians themselves.

Menhenick's career trajectory is a fascinating one, woven through the tapestry of the British entertainment industry. She wasn't just another face in the crowd; she was a talent that transcended mere participation, leaving an indelible mark on the viewers who tuned in week after week. Her charisma was undeniable, her technical skills polished, and her love for dance evident in every move. This talent brought her to prominence, and it kept her there.

The legacy of Sue Menhenick is also a testament to the dedication and resilience of the performers of that period. They didn't just dance; they were integral to the storytelling of music, the amplification of the emotion, and the visual representation of the creative vision. The impact of dancers like Sue Menhenick can be seen even today, in the way music and movement are blended to create powerful performances.

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Before the formation of Legs & Co., Sue Menhenick had already showcased her talents within the dance world. She first appeared as part of the ensemble on "Pan's People" and later transitioned to "Ruby Flipper." These experiences honed her skills and prepared her for the next chapter of her career. The fact that she was a part of three different dance troupes on "Top of the Pops" highlights her adaptability and her enduring appeal to both choreographers and audiences.

The story of Sue Menhenick's career is, in some ways, the story of dance on television itself. This was a time when choreographers and dancers were given the opportunity to develop their craft and express their artistry to a massive audience. These performers weren't just dancers; they were visual artists, translating the emotion and energy of the music into motion. Their contributions had a lasting effect on popular culture.

The dance troupe Legs & Co., was formed and choreographed by original Pan's People member Flick Colby. Sue Menhenick's name stood out. Notably, she was the only member to be a part of all three dance troupes. This says something about her talent and her appeal to audiences, but it also highlights her understanding of the evolving nature of dance on television.

In a time when television was limited to scheduled broadcasts, each performance was a unique and shared event. "Top of the Pops" was a weekly ritual, and the dancers were an essential part of that ritual. They were the visual heartbeat of the show, enhancing the performances of both established and emerging artists. Their presence was a guarantee of entertainment, and their routines became as iconic as the songs they accompanied.

While the exact reasons for the disbandment of Ruby Flipper are not widely documented, their departure paved the way for the emergence of Legs & Co. This new troupe quickly gained popularity, becoming a fixture on the show and a household name for many viewers. As Legs & Co., Sue Menhenick was a prominent member. This meant countless hours of rehearsals, and a constant effort to keep the performances fresh. Their style, skill, and charisma captivated audiences, making them a staple of British television and the embodiment of entertainment.

What happened to Sue Menhenick and her fellow dancers, like Cherry Gillespie, after their time in the spotlight? As the music industry evolved and dance on television changed, these individuals moved on to new adventures. While the details of their lives might not always be widely available, their contributions to the history of dance and entertainment remain a key part of the legacy of "Top of the Pops." Their impact is remembered in the collective memory of those who watched them, in the way dance on television changed. Their legacy reminds us of the enduring power of music, dance, and the shared experience of watching them unfold.

The members of Legs & Co. weren't just dancers; they were trendsetters. Their style, grace, and the sheer energy they brought to the screen were admired by audiences of all ages. The impact of Legs & Co., and indeed Sue Menhenicks contributions, reached beyond entertainment. They influenced fashion, promoted a sense of freedom, and captured the spirit of an era.

The story of Sue Menhenick provides a glimpse into a world where dance was celebrated on a grand scale, where talent was the key, and where performers connected directly with their audience. It is a story of dedication, artistry, and the enduring power of music and dance to inspire and entertain. While some aspects of the narrative may have become more obscure with time, the influence of Sue Menhenick and those like her continues to resonate, keeping their memory alive in the hearts of those who appreciate the magic they created.

The legacy of Sue Menhenick and the dance troupes of "Top of the Pops" is an important piece of the history of British entertainment. These performers weren't just background figures; they were vital collaborators, helping to shape the landscape of popular culture. Their dedication to their craft, their undeniable talent, and their impact on the viewers who watched them live on in the memories of those who witnessed their unique magic.

Other members, including Gill Clark, Rosie Hetherington, Lulu Cartwright, Pauline Peters, and Anita Mahadevan, have made occasional appearances in documentaries and other media since 2016 and 2017. Some of the members appeared three times on Shaun Tilleys "Top of the Pop Playback".

Before the rise of music videos, the primary visual accompaniment to musical performances was provided by dance troupes on shows such as "Top of the Pops." These dancers, like Sue Menhenick, were vital, adding a new dimension to the songs being performed. It's easy to forget the dedication and work that went into creating these visual spectacles.

In 1974, Clarke left Pan's People to start a family, and she was replaced by Sue Menhenick through an open audition. In 1975, Lord and Wilde also departed, and they were replaced by Mary Corpe from the Young Generation and Lee Ward. The replacement group for Pan's People, Ruby Flipper, was selected in March 1976 and began rehearsing; the remaining two dancers, Sue Menhenick and Cherry Gillespie, were retained as dancers.

In 1974, Louise left to get married, and she was replaced by Sue Menhenick. Babs also left to get married in August 1975. Their first appearance was in April 1968. Sue Menhenick, who was in her third "Top of the Pops" dance troupe, had previously been a member of Pan's People after a set of auditions.

The show "Top of the Pops" was a platform for various dance troupes. It was a space where dancers could display their skills and creativity, contributing greatly to the popularity of the show. The combination of music and dance helped to define an era, making "Top of the Pops" a cultural phenomenon.